Tanushree Dutta-Nana Patekar disaster: Eyewitness describes sexual harassment

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After Bollywood performing artist Tanushree Dutta approached with stunning charges of inappropriate behavior leveled against popular on-screen character Nana Patekar, the Hindi film industry has gone into a condition of enormous craze.

On Tuesday in a meeting with an Indian distribution., the ‘Aashiq Banaya celebrity’ related the nerve racking background of working with Nana while she was taping for a move arrangement for a motion picture discharged in 2008, saying he contacted and felt her improperly and pushed her around the sets coercively.

Not long after, columnist Janice Sequeira who was available on the sets purportedly took to web based life to share her rendition of the contemptuous episode that occurred very nearly ten years back.

In a progression of tweets Janice composed:

“A few occurrences that happen even 10 years prior stay new in your memory. What occurred with #TanushreeDutta on the arrangements of “Horn Ok Please” is one such episode – I was there,” she wrote in her opening tweet. Janice composed that she was on the sets to cover the in the background part of the melody. When she touched base on sets, she was told the shooting has been slowed down as a result of Tanushree.

“I could see Tanushree on set, noticeably steamed about something. #NanaPatekar, choreographer Ganesh Acharya and a man (who I later found was the maker) were having a discussion, while 50-odd artists sat pausing. The official adaptation was that the “courageous woman was not collaborating”. A while later, shooting continued. Tanushree continued work, and two or three shots later, #NanaPatekar joined her. Not long from that point forward, Tanushree strolled off set. Shooting ended once more. She secured herself her vanity van, declining to turn out. All of a sudden, goons turned up and started striking against the vanity van entryway. I was advised the makers had called them to set. Cops arrived. In the midst of this confusion, I got hold of #NanaPatekar. All he said was, “Meri beti jaisi hai” (she resembles my girl), which didn’t generally bode well by then.

“In the end, Tanushree’s folks touched base to lift her up. Her auto was assaulted, the windshield broken. I attempted to connect with Tanushree to get her adaptation of occasions. Around midnight, she requesting that I go to her place. In tears, she described what truly occurred,” she composed. Tanushree revealed to Janice that choreographer Ganesh Acharya made her training her move ventures for three days just to transform everything upon the arrival of the shoot so Nana could be a piece of the grouping. “Afterward, she stated, a lustful move step was presented on the request of #NanaPatekar, so he could contact her improperly. That is the place alerts rang, and Tanushree chose to stroll off set. What she didn’t expect was the hostility appeared by the makers after,” she wrote in her tweets

Tanushree Dutta-Nana Patekar disaster: Eyewitness relates provocation occurrence

After Bollywood performer Tanushree Dutta approached with stunning assertions of lewd behavior leveled against renowned on-screen character Nana Patekar, the Hindi film industry has gone into a condition of colossal free for all.

On Tuesday in a meeting with an Indian distribution., the ‘Aashiq Banaya diva’ related the nerve racking knowledge of working with Nana while she was recording for a move arrangement for a motion picture discharged in 2008, saying he contacted and felt her improperly and pushed her around the sets persuasively.

Soon after, writer Janice Sequeira who was available on the sets apparently took to internet based life to share her adaptation of the scornful episode that occurred very nearly ten years prior.

In a progression of tweets Janice composed:

“A few episodes that occur even 10 years prior stay new in your memory. What occurred with #TanushreeDutta on the arrangements of “Horn Ok Please” is one such occurrence – I was there,” she wrote in her opening tweet. Janice composed that she was on the sets to cover the in the background part of the tune. When she landed on sets, she was told the shooting has been slowed down in view of Tanushree.

“I could see Tanushree on set, unmistakably furious about something. #NanaPatekar, choreographer Ganesh Acharya and a man (who I later found was the maker) were having a discussion, while 50-odd artists sat pausing. The official rendition was that the “courageous woman was not participating”. A while later, shooting continued. Tanushree continued work, and two or three shots later, #NanaPatekar joined her. Not long from that point onward, Tanushree strolled off set. Shooting ended once more. She secured herself her vanity van, declining to turn out. All of a sudden, goons turned up and started hitting against the vanity van entryway. I was advised the makers had called them to set. Cops arrived. In the midst of this disorder, I got hold of #NanaPatekar. All he said was, “Meri beti jaisi hai” (she resembles my little girl), which didn’t generally bode well by then.

“In the end, Tanushree’s folks touched base to lift her up. Her auto was assaulted, the windshield broken. I endeavored to connect with Tanushree to get her rendition of occasions. Around midnight, she requesting that I go to her place. In tears, she described what truly occurred,” she composed. Tanushree revealed to Janice that choreographer Ganesh Acharya made her training her move ventures for three days just to transform everything upon the arrival of the shoot so Nana could be a piece of the succession. “Afterward, she stated, a lustful move step was presented on the request of #NanaPatekar, so he could contact her improperly. That is the place alerts rang, and Tanushree chose to stroll off set. What she didn’t expect was the animosity appeared by the makers after,” she wrote in her tweets.

On the other, choreographer Ganesh Acharya has rejected these claims saying Nana Patekar is a ‘sweet individual’.

“He’s a sweet individual, he can never do that. He is exceptionally useful and he has really helped a ton of artistes in the business, he can never do anything like that.” He additionally included that he doesn’t recollect what happened that day as the occurrence is from 10 years prior. “When I was called for practice I was informed that Nana ji was likewise there in the tune. I don’t have the concurrence with me since that time we used to do it verbally. In any case, that specific melody didn’t include any sort of disgusting advance in any case. It was unadulterated moving. That is all,” he said.